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Faculté de Philosophie et Lettres
Faculté de Philosophie et Lettres
MASTER THESIS
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The Thatcher Government (1979-1990): A Source of Inspiration and Contestation for Popular Music

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Delaet, Loredana ULiège
Promotor(s) : Herbillon, Marie ULiège ; Levaux, Christophe ULiège
Date of defense : 27-Aug-2019/6-Sep-2019 • Permalink : http://hdl.handle.net/2268.2/8106
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Title : The Thatcher Government (1979-1990): A Source of Inspiration and Contestation for Popular Music
Author : Delaet, Loredana ULiège
Date of defense  : 27-Aug-2019/6-Sep-2019
Advisor(s) : Herbillon, Marie ULiège
Levaux, Christophe ULiège
Committee's member(s) : Pirenne, Christophe ULiège
Language : English
Discipline(s) : Arts & humanities > Multidisciplinary, general & others
Institution(s) : Université de Liège, Liège, Belgique
Degree: Master en communication multilingue, à finalité spécialisée en langue et culture
Faculty: Master thesis of the Faculté de Philosophie et Lettres

Abstract

[fr] Popular music has always been influenced by social, political, and even cultural context at any moment in History. I chose to analyse the Thatcher government as it inspired abundantly popular music during its time. Indeed, I counted at least a hundred songs evoking a context highlighted by a crisis on all levels during the Thatcher’s years in power.
Margaret Thatcher, nicknamed The Iron Lady, ruled the United Kingdom from 1979 to 1990. She was the first woman to become Prime minister in her country. It is therefore interesting to look at her impact in Britain and on popular music during this period.
Whether in rock, pop, folk, or reggae, Margaret Thatcher’s conservative government and her personality have heavily influenced all genres. Many bands or musicians wrote songs about her or the many conflicts that occurred during her three terms.
Some artists contributed more than others against Margaret Thatcher’s policies, particularly regarding unemployment and the Falklands War. The Specials, Billy Bragg, Crass and Elvis Costello wrote songs about the impact the Thatcher government had on these issues. The songs were understood differently. However, they would be terribly critical of the Thatcher government, "Tramp the Dirt Down" by Elvis Costello and "Ghost Town" by The Specials are the most powerful examples.


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Author

  • Delaet, Loredana ULiège Université de Liège > Master commu. multi., à fin.

Promotor(s)

Committee's member(s)

  • Pirenne, Christophe ULiège Université de Liège - ULiège > Département médias, culture et communication > Politiques de la culture et production culturelle
    ORBi View his publications on ORBi
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