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Faculté des Sciences Sociales
Faculté des Sciences Sociales
Mémoire

Master Thesis : Holding Spaces for Artistic Expression - Participatory Art-Based Research with Mobile Youth in the Asylum Apparatus.

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Heiniger, Léonie Irma ULiège
Promoteur(s) : Mescoli, Elsa ULiège
Date de soutenance : 19-jan-2026/23-jan-2026 • URL permanente : http://hdl.handle.net/2268.2/25094
Détails
Titre : Master Thesis : Holding Spaces for Artistic Expression - Participatory Art-Based Research with Mobile Youth in the Asylum Apparatus.
Auteur : Heiniger, Léonie Irma ULiège
Date de soutenance  : 19-jan-2026/23-jan-2026
Promoteur(s) : Mescoli, Elsa ULiège
Membre(s) du jury : Martiniello, Marco ULiège
Damery, Shannon ULiège
Langue : Anglais
Nombre de pages : 61 pages (excluding Bibliography and Appendix)
Mots-clés : [en] Participatory Art-Based Research
[en] Mobile Youth
[en] Asylum Apparatus
[en] Artistic Practice
Discipline(s) : Sciences sociales & comportementales, psychologie > Sociologie & sciences sociales
Institution(s) : Université de Liège, Liège, Belgique
Diplôme : Master en sociologie, à finalité spécialisée en migration and ethnic studies
Faculté : Mémoires de la Faculté des Sciences Sociales

Résumé

[fr] Research with adolescents living within the asylum apparatus raises important epistemological and ethical questions concerning whose forms of expression are recognised as legitimate and how knowledge about lived experiences is produced. In response to these concerns, art-based and participatory methodologies have gained attention for their potential to engage with experience beyond verbal articulation, foregrounding relational, sensory, and embodied modes of meaning-making. This thesis examines the ways in which participatory art-based projects can create spaces in which mobile youth express and make sense of their lived experiences. Participatory art projects are approached as situated and relational practices whose effects must be examined empirically rather than assumed in advance. Attention is given to diverse forms of engagement, including silence, selective participation, refusal, and presence, which extend beyond artistic outputs or coherent narratives. Empirically, the study draws on participatory art-based ateliers conducted with unaccompanied adolescents living in an asylum reception center in Belgium. The findings highlight both the possibilities and limits of participatory art-based research in institutional contexts and contribute to debates on art-based methodology, child-centered research, and ethical approaches to knowledge production in contexts of mobility.


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Auteur

  • Heiniger, Léonie Irma ULiège Université de Liège > Master socio., fin. spéc. migr. ethn. stud.

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