Forging a Collective Self: Resistance and Identity Formation Through the "We" Voice in Julie Otsuka’s The Buddha in the Attic (2011)
Alaloul, Sarah
Promotor(s) : Munos, Delphine
Date of defense : 26-Aug-2024/5-Sep-2024 • Permalink : http://hdl.handle.net/2268.2/21681
Details
Title : | Forging a Collective Self: Resistance and Identity Formation Through the "We" Voice in Julie Otsuka’s The Buddha in the Attic (2011) |
Translated title : | [fr] Forger un soi collectif : résistance et formation d’identité à travers la voix du « nous » dans The Buddha in the Attic de Julie Otsuka (2011) |
Author : | Alaloul, Sarah |
Date of defense : | 26-Aug-2024/5-Sep-2024 |
Advisor(s) : | Munos, Delphine |
Committee's member(s) : | Ledent, Bénédicte
Van Linden, An |
Language : | English |
Number of pages : | 90 |
Keywords : | [en] Identity [en] Resistance [en] "We" voice [en] collective self [en] historical fiction |
Discipline(s) : | Arts & humanities > Literature |
Target public : | Researchers Professionals of domain Student General public Other |
Institution(s) : | Université de Liège, Liège, Belgique |
Degree: | Master en langues et lettres modernes, orientation générale |
Faculty: | Master thesis of the Faculté de Philosophie et Lettres |
Abstract
[en] This dissertation explores the ways in which Otsuka utilizes the voice "we" to portray the experiences of Japanese picture brides in America. These women embark on an arduous boat journey to America to join their husbands whom they have only seen in photographs, carrying the hope of a better life full of opportunities.Through the collective narrator, Otsuka challenges racial oppression, stereotypes, and gives voice to a historically marginalized group. This study further explores how the "we" voice contributes to the creation of a shared identity among the picture brides that empowers them to confront racism and sexism, ultimately questioning the erasure of Japanese American experiences, including internment during WWII, from American historical narratives.
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