Gothic Masculinity in Retrospect: From Shelley to Penny Dreadful
Verdin, Donia
Promotor(s) : Delville, Michel
Date of defense : 26-Aug-2020/5-Sep-2020 • Permalink : http://hdl.handle.net/2268.2/10294
Details
Title : | Gothic Masculinity in Retrospect: From Shelley to Penny Dreadful |
Author : | Verdin, Donia |
Date of defense : | 26-Aug-2020/5-Sep-2020 |
Advisor(s) : | Delville, Michel |
Committee's member(s) : | Romdhani, Rebecca
Romero-Muñoz, Eloy |
Language : | English |
Number of pages : | 97 |
Keywords : | [fr] Gothic Masculinity [fr] Frankenstein [fr] Michel Foucault [fr] transgression |
Discipline(s) : | Arts & humanities > Literature |
Institution(s) : | Université de Liège, Liège, Belgique |
Degree: | Master en langues et lettres modernes, orientation générale, à finalité didactique |
Faculty: | Master thesis of the Faculté de Philosophie et Lettres |
Abstract
[fr] Frankenstein is an international patrimony. The book is famous all over the world and has never ceased to be adapted in various art forms. The meme is everlasting, just as is the concept of gender. The following work studies the evolution of masculinity representation in various and diachronic Frankenstein-esque filmic adaptations, focusing on the T.V. series Penny Dreadful, leaning on the poststructuralist idea of gender performances and drawing on French philosopher Michel Foucault.
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