The Representation of Hyper-surveillance in Dystopian Novels and Contemporary Society
Testa, Sami
Promotor(s) : Delville, Michel
Date of defense : 25-Aug-2022/3-Sep-2022 • Permalink : http://hdl.handle.net/2268.2/16254
Details
Title : | The Representation of Hyper-surveillance in Dystopian Novels and Contemporary Society |
Translated title : | [fr] La Représentation de l'Hyper-surveillance dans les Romans Dystopiques et la Société Contemporaine |
Author : | Testa, Sami |
Date of defense : | 25-Aug-2022/3-Sep-2022 |
Advisor(s) : | Delville, Michel |
Committee's member(s) : | Munos, Delphine
Hendrikx, Isa |
Language : | English |
Number of pages : | 83 |
Keywords : | [en] hyper-surveillance [en] dystopia [en] utopia [en] fiction [en] contemporary society |
Discipline(s) : | Arts & humanities > Literature |
Target public : | Professionals of domain Student Other |
Institution(s) : | Université de Liège, Liège, Belgique |
Degree: | Master en langues et lettres modernes, orientation germaniques, à finalité didactique |
Faculty: | Master thesis of the Faculté de Philosophie et Lettres |
Abstract
[en] This thesis experiments with the notions of utopia and dystopia, and concentrates on the theme of hyper-surveillance in dystopian literature, which is first introduced in George Orwell's 1984. In this thesis, I explore this theme by endeavoring an analysis of two dystopian fiction novels: John Brunner's The Shockwave Rider and Dave Eggers's The Circle. According to the close-reading of these texts, I demonstrate how this theme is represented and in which matters it can be linked to contemporary society.
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