If we had to do it again - an algorithmic view of the magic formula behind a commercially successful French hip-hop song
Zolotariov, Denis
Promoteur(s) : Ittoo, Ashwin
Date de soutenance : 4-sep-2023/8-sep-2023 • URL permanente : http://hdl.handle.net/2268.2/18786
Détails
Titre : | If we had to do it again - an algorithmic view of the magic formula behind a commercially successful French hip-hop song |
Titre traduit : | [fr] "Si c'était à refaire" - une vue algorithmique sur la formule magique derrière le succès commercial d'une chanson hip-hop française |
Auteur : | Zolotariov, Denis |
Date de soutenance : | 4-sep-2023/8-sep-2023 |
Promoteur(s) : | Ittoo, Ashwin |
Membre(s) du jury : | Chuor, Porchourng |
Langue : | Anglais |
Nombre de pages : | 99 |
Mots-clés : | [en] music [en] topic modelling [en] hec liège [en] digital business [en] model training [en] prediction model [en] latent dirichlet allocation [en] music certification |
Discipline(s) : | Sciences économiques & de gestion > Multidisciplinaire, généralités & autres |
Public cible : | Professionnels du domaine Etudiants |
Institution(s) : | Université de Liège, Liège, Belgique |
Diplôme : | Master en ingénieur de gestion, à finalité spécialisée en digital business |
Faculté : | Mémoires de la HEC-Ecole de gestion de l'Université de Liège |
Résumé
[en] The aim of this research thesis is trying to define what features of a French hip-hop song contribute to its commercial success. To do so, we use different online sources to work: the French national music certification organisation, called SNEP, serves us for retrieving data on certified albums; Genius, the leader website for music lyrics is used to extract the lyrics content of each song; LyricsGenius, a Python API for Genius, ensures the link between Genius and our Python code. After the data collection step, we end up creating a database storage system, hosted in MongoDB. Re-using this database with Python's library Pandas, we then train an oversampled version of the Random Forest algorithm (after extensive trials on different prediction algorithms) to reach a 81% accuracy in our F1-score. However, assumptions were made: mainly, we focused on the certified albums to analyse the success of songs. Such things are discussed and nuanced in limitations, and with the addition to our scientific literature review, help us define the future research paths that look very promising.
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